Daniel Holter — Blog

Nu-Disco

Modern pop song productions with female and male vocal versions, radio-ready hook-laden nu-disco, editor-friendly and perfect for youth culture.

On My Way Up (EP)

A celebration of the drive and determination that has been happening in women’s sports for a long time, led by silky smooth and flowing female vocals from Zahara Williams.

Emotional Value

How do you achieve that balance, taking that utility of production music and infusing it with humanity and emotion? We chat with Alec Shaw and Daniel Holter about their collaborations and how to enhance the emotional value of a track.

Emotional Pop

Featuring singular vocal hooks, simple lyrics communicate not-so-simple thoughts and feelings over a lush pop atmosphere.

Evidence of Thoughtfulness

Celebrating thoughtfulness and curation by highlighting the work of Song Exploder’s Hrishikesh Hirway and his interview with the podcast The Art of Curation.

A Life Worth Livin' (EP)

Featuring songwriter Ryan Necci, A Life Worth Livin' has the soul of classic country, packaged up in a tidy EP that touches the romance and heartache of anyone who has dared to love.

Daisy Chain (Single)

This second collaboration between producer HOLTERGEIST and singer-songwriter Amanda Huff continues where the duo left off, exploring uncharted waters beyond the borders of Carbon Copy (LMTL-042).

See You Someday (EP)

An EP that is so much more than two voices and an acoustic guitar, these love songs mirror the romantic charm and introspective comfort that comes with a rainy day.

Ain’t It A Cryin’ Shame (Single)

Ain’t It A Cryin’ Shame is the modern country equivalent of the Unflinching Walk, witnessing an ex crash and burn. But in this version, our narrator allows a little smirk of satisfaction to creep in, reveling for just a minute in karmic justice.

Shoulda Listened To My Girls (Single)

From the same pen that wrote the Win Some Lose Some (LMTL-037) and Dancing With The Devil (LMTL-036) comes an empowering modern country single that looks back at a relationship gone bad, but then celebrates her reliable squad that will be there no matter what.

Carbon Copy (Single)

Enter a dreamlike world with a dark and ominous sonic landscape from producer HOLTERGEIST with captivating vocals from singer-songwriter Amanda Huff, an ideal track to a serve as the psychological primer to a character driven narrative.

Creative Aeronautics

It’s not enough to simply tell someone who you are or what you stand for. Actions speak louder than words. And a nearly 40 minute video dissecting the details of a production music track just scratches the surface.

30,000 Feet (Single)

Owen Sartori has come together with HOLTERGEIST in an artist/producer collaboration that plays in the dreamy space between the atmosphere and the earth.

Josh Gudwin’s Magic Flow

TLL founder and creative director Daniel Holter is still hard at work behind the mighty mixing desk, but now he’s also getting in front of the camera on his YouTube channel, beginning with a quick demo of Josh Gudwin’s new plugin called Magic Flow.

Call & Response: Ehren Ebbage

Meet Ehren Ebbage. He’s an award-winning songwriter, producer, and composer who continuously seeks new opportunities that push himself while leaving room for unbridled creativity and discovery that feed the spirit of whatever he’s working on. In this conversation, we talk with Ebbage about his work with Lizzy McAlpine, Olive Klug, and his work in production music.

WordLess

The best podcasts are often built on great conversations. And the best conversations we know are built on the universal language of music. With that in mind, we’re thrilled to introduce you to… WordLess — an experiential music podcast from The License Lab.

New Wave UK

Emotional, yet danceable retro sounds that combine the edginess of post-punk and the shiny synths of the era.

Distinguishing Descriptions

What makes someone stop scrolling to audition a track? While the reality is that taste is subjective and everyone has their own venn diagrams of reasons, track descriptions regularly show up as a primary reason editors and music supervisors push the ‘Play’ button.