Hometown Pride

The entire License Lab team is quite literally all over the map with composers in cities like Nashville, New York, Portland, and our internal team in California, Washington, and Wisconsin. In that spirit we wanted to highlight a few Milwaukee artists who have spread their wings and are making waves on a national scale.

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Hyperpop

As melodramatic as it is playful, Hyperpop is full of booming bass, futuristic synths, and uninhibited electronic percussion while vocoder-soaked vocals bounce off the walls.

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Sound Advertising

With millions and millions of dollars spent on Super Bowl commercials and weeks of build up and teasers, it’s no wonder folks are analyzing these ads in an academic fashion. But no matter the tone of a spot, shouldn’t all music used be an integral part of the storytelling?

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Sparkle Folk

The possibilities feel endless with the uplifting, peaceful modern folk sounds of Sparkle Folk (OSPK-084). Utilizing the organic sounds of acoustic guitars and hand percussion, composer Philippe Bronchtein brings out the extra shine by adding tasteful touches of Hammond organ, pedal steel, and atmospheric electronics.

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Under My Bed

Under My Bed (UND-58) takes the drama and angst of a teenage goth bedroom, adds some sparse pop production, and emerges from the darkness with a moody, haunting, seductive soundtrack that feels kind of bad…. in a good sort of way.

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Capturing Room Tone

We’re all familiar with the concept of “quiet time.” While this may conjure up images of a toddler being told to go to their room for a time-out, our friends in film and television production know it as something else entirely. There is a process called “capturing room tone” and it is one of the most essential tools in an edit.

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Beast Beneath

On Beast Beneath (PICX-017) we’ve brought a new approach to Braam and explore trailer effects with storytellers in mind to deliver tension, low end, and noise sweep sound design for trailers, promos, in-game events, mnemonic explorations.

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